Multiple mirror panels reflecting horizontal lines are positioned at Cape Wanizaki, surrounded on three sides by the sea. The artist, who sees the mirror as a tool to grasp existence conceptually, has developed installations with mirror surfaces for 20 years. The mirrors stand tall on the cape, capturing the constantly changing character of the sea in real-time, making the viewer aware of the environment. It will also display images of flags from around the world superimposed on each other.
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Born in Daegu (Taegu) in 1957.
She is based in New York, Paris and Seoul. Using sound, light, and materials specific to each culture, she expresses a society in which various cultures coexist in a complex overlapping manner through a variety of mediums such as performance, video, photographs, and installations. In the past, her themes have been based on traditional Korean fabrics and sewing. In recent years, her needlework and mirrors concepts have evolved to question our existence, the world, and the great challenges we face in this era.
She has actively participated in international exhibitions such as the 5th Istanbul Biennale (1997), the Venice Biennale (1999 – 2007 years), the Yokohama Triennale in 2005, and the Busan Biennale (In 2002 and 2014). She has also recently held many solo exhibitions such as "MMCA Hyundai Motors Series 2016: KIMSOOJA – Archive of Mind" (National Museum of Contemporary Art, Seoul, 2016), "To Breathe" (Centre Pompidou Metz, France, 2015), etc.
Born in Daegu (Taegu) in 1957.
She is based in New York, Paris and Seoul. Using sound, light, and materials specific to each culture, she expresses a society in which various cultures coexist in a complex overlapping manner through a variety of mediums such as performance, video, photographs, and installations. In the past, her themes have been based on traditional Korean fabrics and sewing. In recent years, her needlework and mirrors concepts have evolved to question our existence, the world, and the great challenges we face in this era.
She has actively participated in international exhibitions such as the 5th Istanbul Biennale (1997), the Venice Biennale (1999 – 2007 years), the Yokohama Triennale in 2005, and the Busan Biennale (In 2002 and 2014). She has also recently held many solo exhibitions such as "MMCA Hyundai Motors Series 2016: KIMSOOJA – Archive of Mind" (National Museum of Contemporary Art, Seoul, 2016), "To Breathe" (Centre Pompidou Metz, France, 2015), etc.
Born in Daegu (Taegu) in 1957.
She is based in New York, Paris and Seoul. Using sound, light, and materials specific to each culture, she expresses a society in which various cultures coexist in a complex overlapping manner through a variety of mediums such as performance, video, photographs, and installations. In the past, her themes have been based on traditional Korean fabrics and sewing. In recent years, her needlework and mirrors concepts have evolved to question our existence, the world, and the great challenges we face in this era.
She has actively participated in international exhibitions such as the 5th Istanbul Biennale (1997), the Venice Biennale (1999 – 2007 years), the Yokohama Triennale in 2005, and the Busan Biennale (In 2002 and 2014). She has also recently held many solo exhibitions such as "MMCA Hyundai Motors Series 2016: KIMSOOJA – Archive of Mind" (National Museum of Contemporary Art, Seoul, 2016), "To Breathe" (Centre Pompidou Metz, France, 2015), etc.
Latitude/Longitude (Google maps coordinates)｜37.514222, 137.218946
MAPCODE (GPS input)｜913 041 319*81
