The artist questions our culture and relationship with the mainland through a mixture of porcelain from Kyungdeok-jin, China's leading pottery city, and Suzu-yaki pottery, representing medieval Japan. At the first art festival in 2017, the pieces were lined up on the beach near Mitsuke Island as if they had drifted up from the sea. It is now a permanent installation at the Suzu-yaki Shiryokan (Suzu-yaki Museum).
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Born 1962 in Jiangxi Jian, China. He started working in ceramics at Jingdezhen, a famous pottery pottery, and studied at Jingdezhen Ceramics Academy, the largest ceramic university in the Orient.
After graduating in 1989, he consistently used ceramics and created works reflecting the country's unstable economy and society with a long history. He is one of the contemporary artists representing the internationally active China, with many presentations at the Moscow Biennale 2007, Sydney Biennale 2010, Gwangju Biennale 2012 (Korea) and museums and galleries.
In Japan, he exhibited at the 2005 "East Asian Contemporary Art" (Tokyo, Mori Art Museum) 2015 "Echigo-Tsumari Art Triennale", and has a permanent work at the Towada Art Museum.
Born 1962 in Jiangxi Jian, China. He started working in ceramics at Jingdezhen, a famous pottery pottery, and studied at Jingdezhen Ceramics Academy, the largest ceramic university in the Orient.
After graduating in 1989, he consistently used ceramics and created works reflecting the country's unstable economy and society with a long history. He is one of the contemporary artists representing the internationally active China, with many presentations at the Moscow Biennale 2007, Sydney Biennale 2010, Gwangju Biennale 2012 (Korea) and museums and galleries.
In Japan, he exhibited at the 2005 "East Asian Contemporary Art" (Tokyo, Mori Art Museum) 2015 "Echigo-Tsumari Art Triennale", and has a permanent work at the Towada Art Museum.
Born 1962 in Jiangxi Jian, China. He started working in ceramics at Jingdezhen, a famous pottery pottery, and studied at Jingdezhen Ceramics Academy, the largest ceramic university in the Orient.
After graduating in 1989, he consistently used ceramics and created works reflecting the country's unstable economy and society with a long history. He is one of the contemporary artists representing the internationally active China, with many presentations at the Moscow Biennale 2007, Sydney Biennale 2010, Gwangju Biennale 2012 (Korea) and museums and galleries.
In Japan, he exhibited at the 2005 "East Asian Contemporary Art" (Tokyo, Mori Art Museum) 2015 "Echigo-Tsumari Art Triennale", and has a permanent work at the Towada Art Museum.