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A drawing that uses the entire former Kodomari Daycare Center. In his characteristic motif, the artist drew a maze in a tunnel that seems to go back in time and opens into a room with a salt tower. The area which retains the nursery school atmosphere and the location with the drawings coexist, allowing the former liveliness and serenity to intermingle, thus creating a space where visitors can reminisce about their childhood.
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Born in 1966, Hiroshima. Graduated from Kanazawa College of Art in 1995. Currently residing in Kanazawa.
With memories with his late wife as well as his late sister, both of whom left this world at a young age as the main theme for his work, he has been working on installation using salt symbolizing cleansing/purification in Japan. On last day of exhibition, he destroys installation with audience and returns salt to sea. Past exhibitions include MoMA PS1, State Hermitage Museum, Museum of Contemporary Art, Tokyo.
Born in 1966, Hiroshima. Graduated from Kanazawa College of Art in 1995. Currently residing in Kanazawa.
With memories with his late wife as well as his late sister, both of whom left this world at a young age as the main theme for his work, he has been working on installation using salt symbolizing cleansing/purification in Japan. On last day of exhibition, he destroys installation with audience and returns salt to sea. Past exhibitions include MoMA PS1, State Hermitage Museum, Museum of Contemporary Art, Tokyo.
Born in 1966, Hiroshima. Graduated from Kanazawa College of Art in 1995. Currently residing in Kanazawa.
With memories with his late wife as well as his late sister, both of whom left this world at a young age as the main theme for his work, he has been working on installation using salt symbolizing cleansing/purification in Japan. On last day of exhibition, he destroys installation with audience and returns salt to sea. Past exhibitions include MoMA PS1, State Hermitage Museum, Museum of Contemporary Art, Tokyo.